I know there are a few people out there who enjoy reading my
blog, and more importantly I really enjoy writing it, so I really feel the time
lapsing when I go awhile without writing. I've been feeling that lately. I'm
not sure how long it's been but it feels like a while. It literally comes down
to time.
The last month or so has seen a marked increase in the
frenetic pace of our life here. Production on WOA has radically ramped up while
at the same time we have begun to wrap our heads around the tasks associated
with moving back to the States, and even tentatively begin to tackle some of
those tasks.
Yes, we are moving back. In August. Kodiak beat the odds and
got re-admitted (by lottery) into his old school in Taos, and that sealed the
deal. So now we are starting the cumbersome process of disengaging from
Germany.
These developments, the Burning Man project and the
impending move, keep me busy, body and mind. My body is either working at BBK,
getting around Berlin in one way or another, dropping Kodiak off at school, or
spending (increasingly scarce) time with my family. Christina has an equally,
if not even more, punishing schedule, doing all of the above and more. She is
helping with my project as well as handling most of the moving logistics and
also teaching welding on Saturdays.
It recently occurred to me that she and I (and Kodiak
because we drag him around with us!) do things on an ambitious scale that some
others only dream of. But it's not easy and in fact it's a hell of a lot of
work, sometimes.
Anyway, like I said I am so busy doing all that
above-mentioned stuff that it's hard to find time to sit down and write. In
fact I decided to take the metro to BBK today specifically so I could write
this blog post. Look... here I am, writing it!
But my mind is also so consumed with the project and the
move that it's a big enough challenge for me to stay present with my family,
let alone to find the mental free space required for the development of the
sort of idle philosophical thoughts/observations with which I like to fill this
blog.
That being said, there have been a few kernels percolating,
perhaps a bit more slowly than usual. They tie together a few other threads
found elsewhere herein... emotions and feelings, Alexander McQueen, (and
motorcycles?)
--------- The Idle Philosophical Part ---------
It occasionally occurs to me that a very large percentage of
what we humans do, especially when it comes to our non-essential (non-survival)
activities, is selected specifically in order to feel something. (Or sometimes
to stop feeling something.)
Motorcycling, bungie jumping, snowboarding... certainly
these kinds of activities are usually undertaken for the feelings of freedom
they promise.
Hugging and kissing and even sex bring feelings of
closeness.
Artistic endeavors can be career-driven, but for most people
(who aren't professional artists), and even sometimes for artists, this sort of
activity is often done for the feelings it produces.
Meditation, exercise, drugs, hiking, lying in the sun... all these things are done to a greater or lesser degree for the feelings they produce.
Meditation, exercise, drugs, hiking, lying in the sun... all these things are done to a greater or lesser degree for the feelings they produce.
I think that when people have free time, they chase after feelings.
As much as I admire Spock and Saga Noren for their lack of
emotion, we humans are emotional creatures.
Maybe this is because the things we MUST do, such as work,
either numb us into a state of feelingslessness, or actually produce negative
feelings like stress and dread. So perhaps we need those feelings of freedom
and closeness and self-actualization that leisure activities bring.
And yes, there is a tie-in to Alexander McQueen. McQueen
specifically stated that he designed clothes in order to produce feelings in
the wearer, as well as the observer. He intended that women wearing his clothes
would feel powerful, sexy, and confident... while those observing
"his" women would feel attracted to them, but also intimidated. Take
a moment to let that sink in. It's awesome... to be working on that level...
manipulating the emotions and ensuing interactions of people based on their
clothing. It's almost a form of puppeteering.
I went to an all-boys grade school that had a school
uniform. I remember that I was very excited to finally be going to high school,
where I could wear whatever I wanted.
I was a soccer player in those days, and the schedule of my
high school was such that soccer practice started before the academic school
year. So, before I attended a single class on campus, I spent a week or two
going to soccer practice. I remember there was one older fellow who commanded a
lot of attention because he was charismatic and tall and blonde and handsome. I remember
wondering how this guy would carry himself, would present himself, in the
context of the school campus. I was sure he would show up with some awesome,
individual sense of style and be an incomparable ladykiller. I was truly and
genuinely shocked when school started and he showed up dressed in the same
sports shoes, sports shorts and sports shirts that he wore to soccer practice. What a wasted
opportunity! He was in fact something of a ladykiller, but the ladies he
attracted were totally uninteresting to me. I think that was the day when I
first understood the concept of a "jock," as well as the blonde,
conservative girls who liked jocks.
He was probably equally shocked by me. I used to "dress
up" to go to school. I was experimenting with newfound freedom. I used to
dress up like rockstars such as Mike Score, Ian McCulloch or Andrew Eldritch,
complete with ridiculous hairdos and hats (Andrew Eldritch is at least partly
to blame for my hat problem). I wore a
lot of leather. I made my own clothes. I wanted people to be attracted to me,
yet intimidated. It's a powerful feeling. Using clothes to precipitate
feelings, or states of mind, is a process that I think most people (most men,
certainly) don't really participate in. In an informal class poll, upon our
departure at the end of senior year, I won four awards (simple math reveals
that most in my class didn't win any of these mock accolades). Among the four awards were: Best Dressed,
Most Likely to Have a Harem, and Most Likely to Start a Cult. I think that
playing dress-up worked pretty well for me back then.
Alexander McQueen is holding my interest longer than most of
my Art-Crushes, and I'm constantly asking myself why. I think this, elucidated
above, is part of it.
(Fashion also works as a social filter. You know all those
people with ripped black clothes and face jewelry? They are "wearing"
a filter, essentially guaranteeing that only people who look like them will
approach. They are the extreme example, but the same holds true all the way
through every mode of dress. People who wear intimidating clothes ensure that
only confident people will approach, and so on. It's a social code, and I
believe it's an important part (along with eye contact, posture, etc.) of the
way we size up potential romantic partners, friends, colleagues, etc. Maybe a
topic to expand on another day.)
My project is going well... but again, only because I live
it and breathe it, and am getting good help from Christina and Guy. Our old
friend Cedar has just arrived in Berlin, staying for a month and helping to
fabricate the upper part, the "Flame Burst." I don't have many
friends, but I have some good ones! A few days ago we went down to the Landwehr
Kanal Ufer and had a few beers at sunset.
Kodiak and I saw some art.
Access to global, contemporary culture is something I think
I will miss when we return to Taos. Thank Jeeze for the internet.
The faces for the sculpture are in the process of being cast
in aluminum. They are currently in the wax stage.
Next up, the waxes will be encased in ceramic, then the
whole thing is put in an oven which cures the ceramic and melts out the wax,
and then finally molten aluminum is poured into the void where the wax once
lived.
The torso of the figure is basically done. It was an
extremely interesting bit of fabrication, insofar as it is one structure which
is actually 2 structures (a steel framework and an aluminum surface) which had
to be fabricated simultaneously and yet which cannot be welded together. Lots of
test-fitting and careful cutting.
The cones scattered here and there are parts of the legs.
Well, I have written 100% of this post while on Berlin's
public transportation.
Now I will use my phone's hotspot to publish it.
Jeeze, what will they think of next?
I don’t remember those 4 awards ......they could also have given you one “ for wearing mom’s kilt “ ! The faces look,amazing !!!! Say hi to Cedar .....I’m so happy he is there to help you !!!!!
ReplyDeleteHi Christian...Life is so full here...have not been reading your blogs...but read this one tonight...Happy to be able to see you all back here inTaos...of course only if its right for you three...which it sounds like it is right now...
ReplyDeleteLove your Burning Man Installation... Love to you...Mary (Simonini)